Looking Back at 2011 | A Year Through Books

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American, book challenge, kurt vonnegut, literature, Michael Ondaatje, Slaughterhouse-Five

It’s that time of year again folks, a fresh new year. We’ll all be setting ourselves fresh new reading challenges, so it’s the perfect moment to look back at 2011 and see what we have accomplished and how we can further improve on our performances. I see that throughout the year I’ve discovered how some of heavyweights like ‘Beowulf’ are not all what they are cut out to be. Yet a penny dreadful like ‘Sweeney Todd’ can turn out to be a surprisingly solid five-star read!

A way to do this is to looks at goodreads.com’s ‘2011 Reading Challenge’. Being a slow reader, my personal record has never gone past more than 50 books, yet I was determined to do better. And I did, I managed to read 72 books. I’m thrilled! For 2012 I’n trying a tentative 70!

Here’s my selective reading journey for 2011:

5 Star Reads

White Oleander – Janet Fitch
The Snow Goose – Paul Gallico
Man in the Dark – Paul Auster
Peter Pan – JM Barrie
Beginners – Raymond Carver
The Cellist of Sarajevo – Steven Galloway
Marvels – Kurt Busiek
The Guernsey Literary and Potato Peel Pie Society – Mary Ann Schaffer
The English Patient – Michael Ondaatje
Slaughterhouse 5 – Kurt Vonnegut
The Legend of the Sleey Hollow – Washington Irving
The Tales of Bejamin Bunny – Beatrix Potter
The Tale of Peter Rabbit – Beatrix Potter
Labyrinths – JL Borges
A House of Pomegranates – Oscar Wilde
Black Beauty – Anna Sewell
Sweeney Todd – Anonymous
Beloved – Toni Morrison
Venus in Furs – Leopold von Sacher-Masoch

4 Star Reads

Prisoner of Zenda – Anthony Hope
The Angel’s Game – Carlos Ruiz Zafon
Nazi Literature in the Americas – Roberto Bolano
Siddhartha – Hermann Hesse
2BR02B – Kurt Vonnegut
The Yellow Wallpaper – Charlotte Perkins Gilman
Cat’s Cradle – Kurt Vonnegut
The Year of the Flood – Margaret Atwood
Giovanni’s Room – James Baldwin
The Doll Short Stories – Daphne du Maurier
The Godfather – Mario Puzo
Aesop’s Fables – Aesop

3 Star Reads

Midnight’s Children – Salman Rushdie
Octopussy and the Living Daylights – Ian Fleming
One Day in the Life of Ivan Denisovich – A. Solzhenitsyn
Kung Fu Trip – Benjamin Zephaniah
The Reluctant Fundamentalist – Mohsin Hamid
The Informers – Brett Easton Ellis
Point Omega – Don DeLillo
Wolverine: Origins – Paul Jenkins
The Spy Who Loved Me – Ian Fleming
The Summer Without Men – Siri Hustvedt
Dune – Frank Herbert
First Love, Last Rites – Ian McEwan
Dr. Faustus – Christopher Marlowe
Japanese Fairy Tales – Theodora Yei Ozaki
English Fairy Tales – Joseph Jacobs
Grimms Fairy Tales – Brothers Grimm
Beowulf – Anonymous
The Diary of a Nobody – George Grossmith

2 Star Reads

Tales of Freedom – Ben Okri
Amsterdam – Ian McEwan
Civil War – Mark Millar
Florence and Giles – John Harding

1 Star Reads

Lost World – Patricia Melo
The Lady and the Little Fox Fur – Violette LeDuc
Lost Souls – Poppy Z Brite

So, how was your reading year? I hope you had an interesting one, and good luck for all the 2012 challenges.

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Book Review | ‘Rape: A Love Story’ by Joyce Carol Oates

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American, book review, Gulf War, joyce carol oates, literature, love story, Rocky Point Park

Rape : A Love Story by Joyce Carol Oates

My rating: 4 of 5 stars

“After she was gang-raped, kicked and beaten and left to die on the floor of the filthy boathouse at Rocky Point Park. After she was dragged into the boathouse by the five drunken guys – unless there were six, or seven – and her twelve-year-old daughter screaming Let us go! Don’t hurt us! Please don’t hurt us! After she had been chased by the guys like a pack of dogs jumping their prey, turning her ankle, losing both her high-heeled sandals on the path beside the lagoon. After…”

This is how Oates’s story begins, with the unspeakable brutality of a gang of drunken youths on the fourth of July. After making the fateful decision to walk the ‘long way’ home, Teena Maguire’s life would never be the same again. For that night, she would be raped in the presence of her daughter Bethie, and left for dead. The horrible event rocks the sleepy city of Niagara Falls as Teena is discovered the next day by NFPD Officer Dromoor. As a Gulf War veteran who served in Operation Desert Storm and who had seen the worst of human suffering, the sight of Teena’s broken body was something he would never forget.

But that isn’t the end; there is an ‘after’ and it is this dreadful ‘after’ that Oates focusses on with such alacrity. What happens to the victims? The assailants? Their families? The community? What happens at the hearing, and how does it affect peoples’ opinions? For Teena, Bethie and her elderly mother, every day is a battle to survive through the shame of what has happened and the fear and loathing of the community and their attackers, who only live two blocks away from them.

However, something strange begins to happen. First, one of the rapists is shot dead, then another two go AWOL. Before long people begin to suspect that there is a silent angel of justice at work. But who is this mysterious person taking the law into their own hands?

In ‘Rape: A Love Story’, Joyce Carol Oates takes the common themes and transforms it into a uniquely intense and uncomfortable experience. She achieves this by cleverly alternating the narrative between third and second person perspective, which in turn is largely addressed to Bethie as if it were a kind of confessional. This has two effects; it helps to convey at times the pure, raw emotion that needed to bring the past to life and at other times the statistical objectivity that is crucial to the parts dealing with the scenes of the trial and the hospital. This places Oates’ novel apart from others, as it enables the reader to see the story from different perspectives.

Oates also casts an eye on the corruption of the justice system as the trial rapidly turns Teena from victim to the accused party. A whole slew of social prejudices crop up as Teena, an attractive single mother, is looked upon as a provocateur that ‘had it coming to her’ and is ostracized along with her daughter. As with all small communities faced with big tragedies, this strange dynamic suddenly unearths many suppressed feelings, grudges and misgivings that Oates is especially successful at portraying.

Other themes that are explored are luck and destiny, justice and closure. Although the book is fairly short (150 pages), Oates manages to cover a great number of the difficulties that face women with this kind of tragedy.

“There was a final shake of the dice. Another time it might have been averted. When Casey said, ‘Teena, let me drive you two home. Wait a minute, I’ll get the car,’ and your mother thanked him and kissed him on the cheek, telling him not to bother – ‘We want to walk, don’t we, Bethie? It’s a perfect night.’”

Bethie in particular keeps thinking about that fateful night, about what would have happened if they hadn’t taken the walk through the park. The desperate wish to somehow go back in time and set things right is an impossibility that permeates the text and makes a very strong impression on the reader. Despite everything though, Teena and Bethie do get a closure of sorts and are even able to carry on with their lives thanks to their saviour who liberated them from the crippling fear of living with their enemies. Even though this is about a rape, elements of sacrifice and of a ‘fatedness’ with the unknown saviour adds the unexpected, unusual ‘love story’ twist to this tale. I think this book will stay with me for a long time to come.

I give this 4/5 stars.

View all my reviews

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