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Wordly Obsessions

~ … the occasional ramblings of a book addict …

Wordly Obsessions

Category Archives: Writing

The Book That Cannot Be Read – The Mysterious Voynich Manuscript

20 Wednesday Feb 2013

Posted by mywordlyobsessions in Art, Book News, Education, Writing

≈ 2 Comments

Tags

Anomalies and Alternative Science, National Geographic Society, Voynich manuscript, Wilfrid Michael Voynich, World War I, World War II


National Geographic explores the mystery of the Voynich Manuscript – an ancient tome discovered by chance in 1912 by the book dealer Wilfrid Voynich. This documentary explores the great lengths that have gone into trying to decipher the manuscript, which was written in cipher during the 17th century.

The book itself has many illustrations of plants and seems to be a scientific study into herbology. However, further research has shown that certain illustrations can be made to ‘move’ by spinning the book around, thus giving researchers the impression that it could have been an attempt to record alchemical knowledge. This, along with the astronomical, cosmological and pharmaceutical images has led many to associate the text with many ancient European doctors who were famed throughout history to have worked ‘miracles’ with their potions.

Many codebreakers and cryptographers have tried to crack the ciphers used in the book, including those from WWI and WWII; however the Voynich manuscript still remains one of the most mysterious books of all time.

Is the Voynich manuscript real, or a hoax? I guess we won’t know for a long time yet!

Related articles
  • Voynich Manuscript Carbon Dated to Early 1400s – About a Century Older Than Previously Though (izabael.com)
  • 6 Discoveries That Have Scientist Baffled (secretsofthefed.com)
  • Seven Codes You’ll Never Ever Break (wired.com)
  • Mystery Tome (nowiknow.com)
  • The tantalizing mysteries of antiquity (ernietheattorney.net)
  • 4 Most Impressive and Mysterious Discoveries (talesfromthelou.wordpress.com)
  • Professional Manuscript Reviews (briankeene.com)

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John Steinbeck – A Letter For Beginners

12 Thursday May 2011

Posted by mywordlyobsessions in Authors, Excerpts, Writing

≈ 3 Comments

Tags

John Steinbeck, quotes, writing


John Ernst Steinbeck (February 27, 1902 – December 20, 1968)

I don’t want to write too much and spoil the perfection of the following letter that is addressed to aspiring writers. If anyone has looked for a mentor to guide them along this lonely road of letters, then I give them John Steinbeck’s inspirational texts. Here’s a man who trod the path, understood what writing was ‘really’ about, and managed to convey it in ways that us beginners could  understand.

So, this is for all those who cannot ‘see’ their way clearly and are confused as to where their road is taking them, and to those in particular who think ‘reading’ is experience enough to write a good book. Steinbeck highlights the necessity of an inner enlightenment for all wannabe writers, one that borders on the Buddhistic:

“Dear Writer:

 Although it must be a thousand years ago that I sat in a class in story writing at Stanford, I remember the experience very clearly. I was bright-eyes and bushy-brained and prepared to absorb the secret formula for writing good short stories, even great short stories. This illusion was canceled very quickly. The only way to write a good short story, we were told, is to write a good short story. Only after it is written can it be taken apart to see how it was done. It is a most difficult form, as we were told, and the proof lies in how very few great short stories there are in the world.

The basic rule given us was simple and heartbreaking. A story to be effective had to convey something from the writer to the reader, and the power of its offering was the measure of its excellence. Outside of that, there were no rules. A story could be about anything and could use any means and any technique at all – so long as it was effective. As a subhead to this rule, it seemed to be necessary for the writer to know what he wanted to say, in short, what he was talking about. As an exercise we were to try reducing the meat of our story to one sentence, for only then could we know it well enough to enlarge it to three- or six- or ten-thousand words.

So there went the magic formula, the secret ingredient. With no more than that, we were set on the desolate, lonely path of the writer. And we must have turned in some abysmally bad stories. If I had expected to be discovered in a full bloom of excellence, the grades given my efforts quickly disillusioned me. And if I felt unjustly criticized, the judgments of editors for many years afterward upheld my teacher’s side, not mine. The low grades on my college stories were echoed in the rejection slips, in the hundreds of rejection slips.

It seemed unfair. I could read a fine story and could even know how it was done. Why could I not then do it myself? Well, I couldn’t, and maybe it’s because no two stories dare be alike. Over the years I have written a great many stories and I still don’t know how to go about it except to write it and take my chances.

If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story.

It is not so very hard to judge a story after it is written, but, after many years, to start a story still scares me to death. I will go so far as to say that the writer who not scared is happily unaware of the remote and tantalizing majesty of the medium.

I remember one last piece of advice given me. It was during the exuberance of the rich and frantic ’20s, and I was going out into that world to try to be a writer.

I was told, “It’s going to take a long time, and you haven’t got any money. Maybe it would be better if you could go to Europe.”

“Why?” I asked.

“Because in Europe poverty is a misfortune, but in America it is shameful. I wonder whether or not you can stand the shame of being poor.”

It wasn’t too long afterward that the depression came. Then everyone was poor and it was no shame anymore. And so I will never know whether or not I could have stood it. But surely my teacher was right about one thing. It took a long time – a very long time. And it is still going on, and it has never got easier.

      She told me it wouldn’t.

                                                                          John Steinbeck, 1963

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Writer’s Journal | Notes About a Small Island, The Novel as Seedling (1)

12 Thursday May 2011

Posted by mywordlyobsessions in Art, Authors, Quotes, Writing

≈ 2 Comments

Tags

cyprus conflict, notes about a small island, novel, once upon a time in cyprus, poltical, short story, writers journal, writing


 … How the story fell upon my mind, and refused to leave…
… And grew into a thorny briar patch…
… Demanding to be told…

Years ago I had an idea for a novel. It struck me one day when I was doing something quite normal. Maybe I was washing the dishes, maybe I was taking a walk, but it was during one of those moments when your body is in autodrive and your mind elsewhere.

The story began with: ‘Why hasn’t anyone written about this before?’ At first, the question was small, a pin-prick in the brain. But later I realised it was in fact an old, dull ache born from an event of systematic racial intolerance that subsided and was later left to stew slowly in a stagnant mire of political and personal gain. It’s a well known fact that people get used to things they shouldn’t, things like pain, hunger and even death. Of course, this had nothing to do with those things, but harboured within it the traces of such suffering and was seeking justice to its burnt pride. It offered me its tangled skein of problems and asked me to listen to the voices therein.  

Writing a story is hard enough, but giving a story the justice it deserves 
requires phenomenal talent. All I had at my possession was an above average passion for books and an appreciation for the written word. So it was here I began my search, between dusty pages and forgotten tomes, for remnants of the question. I racked my brains, trying to come up with a book, a film, a play, anything that was a half-decent attempt to portray this neglected area of history. I was to my dismay, met by silence and denial.

Art had next to nothing in its vast repertory that was a study of the country, its people or their history. Any accounts were abridged version of events written predominantly by outsiders. I poured over military documents, political correspondence, ‘eyewitness’ accounts, but all were sterile, too neutered to be  a faithful representation of events. The question pulsed its’ red light, ‘Something is missing, something is wrong’. Yes, I could see it now. Something was missing. It was the absence of the hand-over-the-heart, the honesty, the coming-clean. It was the absence of the voices in the skein, those who could still recount the past on the rough-hewn syllables of their mother-tongue.   

This silence, this absence was denial and it issued from a particular political ilk that championed democracy and fairness, but was (as the indelible ink of history would have it) the very demon that fanned the embers of racism. 

For months I thought about this, and an anger welled up inside me. There were so many stories to tell, so many versions; the culmination of which would be the chorus to break this unreasonable silence. These stories weren’t in any 
historical books or anthologies, instead they existed as fables of old did: on the dying breath of story-telling. No one ever thought of recording it in print. My family is one of the rare ones that still talk about that time, talk about it in its ugly glory. Through them I saw what the question really wanted: the grassroots of the problem. It wanted the events as it happened, the series of cause and effect as it unfolded under the relentless glare of the mediterranean sun. It wanted the chorus of voices, each unique yet the same in their own ways to merge with the elements of a small island on that day on June 1974, and sing their deafening cicada song to a world who would rather forget them. 

Men and women now in their eighties had faced the ugly, mindless wrath of war. Some had seen things that had pushed them to murder, madness and suicide. Others did things for country and religion that they carry around with them today like a guilty sin. People went missing, whole villages were razed to the ground. There were the tortured with some still alive to tell the tale. There was an artillery bullet through the hipbone of a five-year old girl, four years in hospital clamped together by metal because of metal and a lifetime (a half-life) confined to wheel-chairs.

Yet after three decades people are trying to build a future for themselves, free from the horror and shame of their near-past. But the skyscrapers and the luxury villas, the five-star hotels and expensive shopping malls are not bringing any comfort. Money is a temporary panacea. It does not fill the strange void, the gaping alienation of a nation. The bones of the dead, the eternally silenced, push at the foundations of these new-fangled buildings. At night, the dreams of the new, forgetful generation are troubled from the tremors of their ancestors shuddering in unmarked graves. It is like the hum of a coming earthquake, a deep guttural unearthly hum. It’s a rule: no one can build a future by burying the past. The truth will out. And it is the charge of a writer to tell the truth, the way it needs to be told.

All the above, in all its straight and flowery language fell upon my mind in a matter of minutes, yet took months to spool out into its full-length. Thought moves fast, and one thought follows another at lightning speed until you have a many-headed hydra; reason upon reason to tell a story, to strengthen the validity of it in the world.

As I said, this idea for a novel happened years ago, and I still wrestle with it. I write almost daily, but there is so much to write. It began with a people and a particular moment in their quiet yet complex history, but has extended to the rocks and the seas and the wind. I used to listen to people recounting the history of their personal lives during that time, but now I find everything in the hum of the earth, and all the silent souls it bears inside it.

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Problems with Colloquialisms? Here’s the Solution… | Midnight’s Children by Salman Rushdie

10 Monday Jan 2011

Posted by mywordlyobsessions in Quotes, Writing

≈ 5 Comments

Tags

colloquialism, Indian literature, midnights children, salman rushdie, translation


When I began reading Rushdie’s ‘Midnight’s Children’ back in November, I knew I was in for a bit of a culture shock and braced myself for the slew of foreign words that often pepper Eastern narratives. Personally, I don’t mind the odd foreign word that pops up every now and then. In fact it’s great to learn a few words in a different language and it adds colour and texture to the text. And anyway, if I don’t know the word I can usually suss it out through the context of the sentence.

Also reading Rushdie wasn’t as hard as I thought it might be, and the words he did throw out were all somewhat familiar (despite variations in spellings), but I only realised how inaccessible the book could be for an audience with no knowledge of basic Arabic. One fellow blogger in particular Adam (roofbeamreader) pointed this out to me. I have since looked on the internet for some kind of source (apart from free translation websites) and discovered a really cool glossary someone created specifically for ‘Midnight’s Children’.

Anyone wanting to read this book, but is concerned they might be alienated by the language will be able to look up the meanings from here. In fact, it might be a good idea to print it off and have it with you while you read.

Here are some of my favourite words from the book and their meanings:

Bombay-duck/bombil
A type of salt-water fish
Chapat
a slap. This is real Bombay slang
Funtoosh
Finished, disappear, excellent, etc..
Rakshasa
goblin, demon, evil spirit
Shiv-lingam
Shiva is one of the gods in the Hindu trinity (Brahma-Vishnu-Shiva), in the divine division of labor Shiva is sometimes the destroyer, sometimes the creator. A Shiv-lingam is black rock representing Shiva’s penis, worshiped as the source of his creativity.
 
Wallah
is almost like the word “smith” as used in English last-names. It can sometimes be appended to one’s last name to reflect the hereditary profession, in common parlance it simply means “one who is engaged in”.

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Reviews, Resolutions and Remnants… 2010 at a Glance

05 Wednesday Jan 2011

Posted by mywordlyobsessions in 50 Books A Year, Audiobooks, Book Challenges, From Life..., Readalong, Writing

≈ 8 Comments

Tags

2011 resolutions, book challenge, book review


Happy New Year 2011!

“2010 – The year I thought I lost my colours, but found them again through books… and blogging.”

For me, 2010 was the year I accidentally discovered blogging. Like all good ideas, I happened upon it by chance when I was reading a particularly entertaining review of ‘Lolita’; and it suddenly dawned on me, ‘why don’t I give this a try?’ Truth be told, I was going through some particularly nasty emotional problems (remnants of the evil 2009!) and in a position I call ‘zero gravity’ where I felt like I was floating off into deep space with nothing to anchor me to reality. So without thinking, I opened my first blog account and started to write myself out of my mini-depression. Before this I felt like all the colour in my world had been sucked out, but reading and writing eventually brought those colours back to me again. If you think of ‘The Wizard of Oz’, and the sequence where Dorothy is in Kansas; that’s how it was. For Dorothy, it took a hurricane and some munchkins to do the trick; for me it was a blog. It seems a little silly and a bit strong to say ‘my blog saved my life’, but in this instance it gave me those ‘little steps’ I needed to help find my true self again. And what better way to do it than through the very real and sincere love of books.   

With time I found the world of book blogging to be a particularly special community, because it was here that I realised people like me had a name (bibliophile) and what’s more, they almost always felt the obsessive urge to write down their thoughts on a book; which when you think about it isn’t what your average reader does now is it? Prior to blogging I had about 4 notebooks full of such scribblings and took a funny pride in them. For me, my reading journals are a year-by-year record of book-themed reflections on the world of literature and how this often manifests in real-life. I’m pretty sure most bloggers out there have experienced the phenomenon of the ‘book/ life collision’, when a read deals with the exact same problem that you are facing at that moment in time. It’s a pretty special moment, as it feels like the book has been ‘sent’ to you in some way.

In 2010 those books were ‘Things Fall Apart’ by Chinua Achebe and ‘Disgrace’ by JM Coetzee. The former is the story of a proud and powerful tribal chief who is so strict in his adherence to the ‘old ways’, he is left absolutely powerless when the white man finally comes to town. In ‘Disgrace’, an equally nonchalant college professor learns the value and worth of mankind in ways he never dreamed he could. Both novels struck a deep chord, as we often lose perspective of what we actually are in the scheme of things. In ‘Disgrace’, people like animals are only pawns on a very, very large cosmic chessboard. In ‘Things Fall Apart’, the village chief loses to the white man because he is unyielding and impatient. Like the ancient chinese proverb says: ‘A reed before the wind lives on, while mighty oaks do fall.”

Despite it being a very gloomy year, 2o10 did go pretty fast, and it was a good thing it did! However, I am left with the one thing I was hoping I wouldn’t have: ‘review remnants’; which means there were quite a few books I didn’t get round to writing up about. Here’s my shameful list of laziness:

A Man’s Head – Georges Simenon
The Quiet American – Graham Greene
A Pale View of Hills – Kazuo Ishiguro
In the Miso Soup – Ryu Murakami
A Thousand Splendid Suns – Khaled Hosseini
The Good Soldier – Ford Maddox Ford
The Passion of New Eve – Angela Carter
Hard Boiled Wonderland and the End of the World – Haruki Murakami
The Wind-Up Bird Chronicles – Haruki Murakami 

It would have been nice to start with a clean slate (and an empty TBR list for that matter), but I suppose I will have to add my rogue review remnants to my ever-growing list of new years resolutions, which brings me onto:

Zee’s 2011 Reading Resolutions!

Yeah, I make one every year, and it usually ends up having things like ‘read x amount of books’, ‘read such and such writer’ etc. But this year I hope to be more realistic (so she says!). So here’s my modest 2011 list:

1. Gather and read ONCE AND FOR ALL all the really hard, thick books that I have lying around that I have ‘claimed’ to have read in the past: a.k.a the ‘Fat Fiction’ Challenge.

2.Renew the ’50 Books A Year’ Challenge for 2011, half of which will consist of the 1001 books challenge.

3. Attempt to be more ‘technologically open’ when it comes to literature. Which means trying out at least more than one audiobook/ ebook this year. It also means making more use of online resources such as Librivox. Even a technophobe like me must adjust a little to the changes around me; even if I have taken an oath to read the written word!

4. Finish reviewing the ‘remnants’ of the last year.

5. Start to review books for authors and publishers (haven’t done this before, but it would be fun!)

6. Continue to take books out of the library and SAVE MONEY! (This was last years resolution, which I did stick to – and broke only on very special occasions!)

7. Join more readalongs! I missed the Midnight’s Children one and would like to make it on time for another book.

8. Complete the rough draft of my novel. It’s been a very exciting time for me as I finally give shape to the story that I’ve been carrying around for the longest time.

and finally 9. Discover more book bloggers and post more often to the people I have subscribed to! I do follow a large number of blogs, but lately real-life has been getting in the way of my blogging and responses to some otherwise great, great topics I have been reading about.

So to wrap things up, I wish everyone in the blogosphere and beyond a very happy, peaceful and fun-filled 2011. I hope it will be a good year as I continue to meet more great people. Happy reading everybody!

Zee.

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Ghost-Writers | Artists or Posers?

29 Monday Nov 2010

Posted by mywordlyobsessions in Authors, Writing

≈ 9 Comments

Tags

charles dickens, f. scott fitzgerald, family saga, ghostwriting, Jorge Luis Borges, nora roberts, plagiarism, stephen king, virginia andrews


Daughter of Darkness

Cashing in on the vampire trend: behold the offending book that’s by Virginia Andrews… and not. The word ‘ghost-writer’ never felt so ironic.  

As a serious reader hoping to make the leap into ‘serious writing’, I am constantly on the look-out for different kinds of writers. This week my thoughts turned to the subject of author, the legacy they leave behind and the how that is preserved for future readers. Many state that writing is really a form of immortality, and as a semi-serious, sometime diarist I agree. The thought of death doesn’t frighten people half as much as the possibility of being forgotten. But words have a special kind of power; they can represent a small part of the soul, and can live on long after its’ author has passed on. From cave paintings to stone tablets, from papyrus to paper; people have always found ways to justify their existence and make themselves known. So it seems that our knowledge of history always passes irrevocably through the lens of some other person’s perspective. Personally, I have always found much comfort from reading the works of deceased authors. If we take it one step further; reading is really nothing but a way to contact the dead; a method by which we can access our ever-receding past, a way to rewind time and reach the impossible. Settling down with a copy of ‘Lolita’ is akin to having a conversation with Nabokov himself. Don’t believe me? Click here and just listen to the man speak! 

Yet this week I was pretty much stumped when I came across a book that seemed to almost mock these notions. The book in question was the newly published ‘Daughter of Darkness’ by Virginia Andrews. Now, as you know I’m not the Romantic / Family Saga type, but I will admit to having read the Dollanganger series and found it to be surprisingly and even addictively
enjoyable. However, the beef I have had with her novels up till now is that she’s not the one writing them! Unfortunately Andrews died in 1986 from breast cancer having wrote only eight novels. Yet due to her massive readership and the success as a writer, her family decided to hire ghost-writer Andrew Niederman to write more stories bearing her name. Well, since then the name Virginia Andrews has continued to grace bookshelves fooling the less informed reader into thinking that she left behind a vast amount of unpublished material.  

Granted, ghost-writing is a very big industry, what with more celebrities
now publishing their biographies through these services. But I can’t seem to agree with the notion of someone else taking all the credit; whether this be the person doing all the writing, or the one whose name is being bandied around for said work. From an ethical stand-point, it raises many questions that skirt along issues like plagiarism. In fact, here’s a very interesting and informative article on the pros and cons of ghost-writing for those involved with it. Looking around the internet a bit makes it clear that business-related subjects are a more acceptable field for ghost-writing, but not so much for fiction where a writer is trying to make a name for themselves.

In the case of Virginia Andrews, ghost-writing hasn’t harmed her sales figures at all, which makes her an anomaly and a success story at the same time. Her reputation as a writer is anchored to her name, which has become a commodity over the years. Ghost-writing in this instance has managed to turn an author into a ‘brand’, much like Kelloggs or Wrigley’s chewing gum. Readers still flock to buy the ghost-written material, even though they are obviously not her own work. However the latest addition to the Andrews books seems to be the final break away from the essence of Virginia Andrews the ‘author’. Having become famous for her sprawling family sagas; it feels like a desperate and wholly tasteless move to turn to the current
trend of vampire fiction. I’m not sure how that would sit with die-hard Andrews fans; but I don’t think it’s necessarily a good thing to tamper with a writers’ legacy in this way. 

Authors today rarely jump genres, and if they do, they use a pseudonym to avoid any negative responses affecting their established identities. Stephen King, who initially went by the name Richard Bachman and Nora Roberts who sometimes writes as J.D. Robb are both well-known for doing this. For King and Roberts, the use of a pen name was a choice they made not because of any great leap in genre. Roberts is a writer of romantic fiction, and erotic thriller was practically next-door to that. Same with King; the idea for the name Richard Bachman came simply because his publishers didn’t think readers would buy more than one story a year from an author. C. S. Lewis used two different names, one for a collection of poems and another for a narrative to avoid harming his reputation as a don at Oxford University.   

So, taking the above into consideration, I see Virginia Andrews’ now ghost-written material of paranormal/ YA fiction to be the mother of all gambles as far as the world of publishing goes.

Andrews aside, I don’t know of any other author whose name has been used in quite the same way, and whose reputation has still remained in tact. Consider Jorge Luis Borges who, as much as he deserved it, was never awarded the Nobel Prize for Literature (a grave injustice if you ask me). There are many like me who mourn the fact that he never wrote a novel. What would it be like if his estate hired a ghost-writer to fulfill this universal desire for all Borges fans around the world? I shudder at the thought! 

Novels like ‘The Mystery of Edwin Drood’ and ‘The Last Tycoon’ are famous for being the last unfinished works of Dickens and Fitzgerald. To literary enthusiasts they are just as precious as their completed works, even more so. So how would it feel if someone was suddenly hired to complete these works?

I suppose what I’m really trying to get at is the idea that an author’s  mind, their pattern of writing can be mimicked for the sake of making money up to a certain point. And while I find this assumption offensive, I do also acknowledge the fact that it can be terribly enticing too. Yet the mind of a person is like a fingerprint. No two are ever alike. The act of creating is fuelled by a whole slew of mental and psychological ingredients beginning with the first impressions of childhood and the influences of growing up with a particular ‘cocktail’ of people and ideologies.       

There is much to be said about the issue. What do you think? Is ghost-writing ‘fair’? Does it cheapen literature? If you are a Virginia Andrews fan who has read her ghost-written work, what do you think of the quality of it? Does it really matter? Are we conscious readers?

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Literary Blog Hop! – Most Difficult Literary Book You’ve Ever Read?

11 Thursday Nov 2010

Posted by mywordlyobsessions in Book Review, Meme, Writing

≈ 39 Comments

Tags

james joyce, literary fiction, meme, mrs. dalloway, stream of consciousness, ulysses, virginia woolf


 Don\

Welcome to the ‘Literary Blog Hop’, a meme hosted by The Blue Bookcase for book bloggers who focus on reviewing literary fiction. This weeks’ hop comes with the question:

What is the most difficult literary work you’ve ever read? What made it so difficult?

The most difficult book I’ve ever read has to be ‘Mrs. Dalloway’ by Virginia Woolf. Going into it is like being hit with a  literary sledgehammer. Seriously. If you reckon you know ‘stream-of-consciousness’, then think again! ‘Mrs. Dalloway’ is probably SoC perfection what with its mercurial ideas and shifting narrators. 

Mrs. Dalloway

“Mrs. Dalloway said she would buy the flowers herself… it was the moment between six and seven when every flower – roses, carnations, irises, lilac – glows, white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey white moths spinning in and out, over the cherry pie, over the evening primroses!”

SYNOPSIS
The story of ‘Mrs. Dalloway’ is set in post World War I England and is about one day in the life of Clarissa Dalloway, a married middle-class woman who is preparing to throw a party later that evening. The novel works on a number of different themes including mental illness, existential issues, feminism and homosexuality. People who know a bit about Woolf will probably have heard about her own mental problems and her suicide. She was known to have been bisexual and a strong champion of feminist thought. All of these issues find voice in ‘Mrs. Dalloway’ making it an excellent study of her life and her ideals.

The special thing about the novel is that even though it takes place over 24 hours, the story constantly shifts backwards and forwards in time. In reality, this is Woolf’s way of mimicking one day in the life of anyone’s mind, as she makes it clear that even though we are living in a constant ‘present’, our thoughts rarely ever do. The novel also has a very strong element of ‘voyeurism’ to it, as Woolf’s narrative switches from character to the next without warning, often delving into the world of private, often embarrassing thoughts. This also seems to show that people are never what they seem to be. Clarissa, a respectably married housewife entertains thoughts of suppressed love for her childhood friend Sally Bourton. Similarly, Septimus (a shell-shocked war hero) is still haunted by his commanding officer Evans. The story of ‘Mrs. Dalloway’ is essentially about the secret lives people live within themselves, and the things that go without saying which is rather, the omitted subtext of everyday existence.

All I can really say about this novel is that it has no ‘walls’. Yes, there is nothing to separate the thoughts of the characters or the characters themselves for that matter, because Woolf’s complete focus is on ‘memory’ and the organic behaviour of thought. Many writers have toyed with the idea of writing a novel that mimics the theatre of the mind, but few have ever got so close as to actually emulating that on paper. One of those successes being James Joyce’s ‘Ulysses’ gets a mention here, only because it is probably up there on the number one spot for the most difficult SoC book to read (both famous and infamous for it in equal measure!). In fact, it’s hailed as the most difficult book period, but since I haven’t read it yet, Woolf’s ‘Mrs. Dalloway’ takes first place for now.

When I first picked this up eight years ago, I had no idea what I was getting myself into. I was already a fan of Woolf, having read ‘A Room of One’s Own’ and some other essays of hers, but I never counted on experiencing anything quite as modern and intuitive as the complex style she exhibits here. In fact, before reading ‘Mrs. Dalloway’ I realised I had a pretty rigid view on what makes a successful novel. Normally, a book is constructed from a number of ‘building blocks’ like themes, symbolism, etc, and the way those blocks fit into each other (much like lego) depends on the way an author structures her narrative. Woolf  however completely blew my theory to pieces; how she did it I still don’t know, but one thing is certain, her writing is as fine as gossamer and as strong as steel-wool. ‘Mrs. Dalloway’ is hardly a conventional novel. I see it as a gross concentration of memories, an intense saturation of isolated, fleeting feelings and thoughts that seem to be plucked from the mind and laid directly onto paper. The ebb and flow of the story may seem erratic at first, but like a 3D picture, once you adjust yourself to the pace and the multiple story strands, it becomes a very fulfilling read.  

  If you would like to read Mrs. Dalloway for free, Project Gutenburg Australia has very kindly uploaded the book in text, zip and HTML format.

Project Gutenburg Australia has a number of free ebooks in it’s archives that cannot be found in the normal Project Gutenburg website, so check it out when you have the time!

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Magpie Tales #37 | ‘The Man and the Mirror’

24 Sunday Oct 2010

Posted by mywordlyobsessions in Writing

≈ 5 Comments

Tags

magpie tales, short story, the man and the mirror


“There we are. Feeling better?”
“…….”
“All done.” She stared down at him, at the parchment skin and skewed rictus grin that was more a mockery than a rehearsal of rigor mortis. He was the closest imitation to death one could ever get without actually dying; except for those marble blue eyes that rolled in their sockets.    
“…….”
“Now, I’m going to move you to the left. Give these a chance to heal.” Crisp white sheets rustled against his body. He was so light, he has become like sawdust.
“…….”
“They’re looking better.” Her voice smiled.
“…….”
“Right.” The metallic clang of a kidney-shaped bedpan hit the septic water. In his mind the sound made a pretty splash, complete with a crown of perfect little droplets.
“I’ll get rid of these.”
“…….”
“Be back in a bit.” Footsteps, a half shuffle, then the muffled scrape of the bucket on the faded linoleum. Then, the static of silence; the most powerful form of nothingness.

There was a pause as the room adjusted itself to this absence. The man also became still (if that was possible). He fancied his heart slowing down, his breathing became shallower, lighter. Then after a while, after he deemed it safe, the blue orbits came alive, oscillating with great effort from left to right, up and down. Every three days they came to wash him. Each time they’d move him into a different position, sometimes right, sometimes left. Right meant a view out the window and beyond. It meant moving scenery. The left meant a blank wall with nothing but a mirror and a star-shaped medal that hung from a hook. Left meant watching the world back to front, left meant a reminder of the war. Today the surface of the mirror glowed smooth and hard as it reflected the cold clinical light. Clouds, mounds of clouds passed by on its pock-marked surface. Cirrus, Nimbus, Cumulus. The silver film on the back had deteriorated over time marring what would otherwise have been a perfect reflection. They weren’t that different to the age-spots on his hands and face.

“Eyes are the windows to the soul; but the face is the mirror of the heart,” his mother would say. To an extent it was true, for his eyes were now cold and hungry just like his soul. Yet his face dry and puckered like his heart reflected a deceptive nothingness. From this he knew that mirrors lied, for his face showed nothing of his dark secret. This elderly man, stricken with paralysis, had made a Medusa of his life. And that gorgon of sin had followed him back from the jungle, from that smoking village of vengeful ghosts. The war was over, victory had been theirs; a vain and empty win. They celebrated under the banner of the great Golden Eagle, yet it was under that very totem of American pride that lurked a more ancient, more grotesque avatar. At first they called it ‘battle stress’. On his way home across the wide ocean, scenes of that sinful day slipped into his dreams. The glint of a machete threatened his throat, a maze of bamboo groves would separate him from his comrades, and dark, slanted Vietnamese eyes stalked him like tigers. Then there was the dog; a big, black terrible dog. A hell-hound with blazing eyes, and in its jaws the mangled body of a baby girl. The nightmare that rode him all the way back to his hometown.   

His eyes  alone roamed, along with his mind, into the labyrinth of memories. And the key to one hung there on the wall on a blood-red ribbon with his name on it. Hung on the cord of god knew what poor lives he had taken.

The army had taught him, the army had told him to obey. In the army you did not think, it was forbidden. You obeyed like a dog. You had dog-tags. They stamped your name on them and from then on you were property of the state. Like a dog you wore them round your neck. Name, number, date of birth. You were an object whose sole purpose was to mirror the will of others. Kill, destroy, decimate. In the event of death, you were just a statistic. And that’s what happened when the order came to clear the village. ‘Clear’ meant ‘clean’. ‘Clean’ meant ‘kill’. Like marionettes they marched, chewing tobacco like it was gum and breathing napalm fumes like it was perfume. They cut their path through thick bamboo groves towards the target. Like blood-hounds unleashed, the twelve-mile trek through dust and mud made them hungry, savage, full of adrenaline. Every sound heightened their nerves, fear pulsed in their ears.

The calm before the storm, the wait behind the bushes; it was the moment between intention and action. A woman came out of a hut, an infant on her hip. A pail of water stood near the well. From somewhere there came smoke. A baby whimpered, voices soothed it, an elderly man coughed and swore. Moments before the storm, moments of calm, until…

… A deafening staccato report lifted the woman off her feet, making her a mascot of their terror, and her blood a martial graffiti on the wall of the hut. A territorial signature. The flurry, the unbridled rage, the horror that ensued was dredged up from some bottomless pit he had never known before. Blind to their own rage they killed and killed, but for what, he knew not. Even after all these years, he still didn’t understand that monster within him. Flashes of combat; dark, lean men with machetes, knives and clubs came at them but fell before they had a chance to use their crude weapons. It was a danse macabre; the act of man killing man being a different form of cannibalism. To revel in another’s cruel demise, to make their misery your happiness was to imbibe on misfortune. And they feasted, for that is what they were told to do. These were the rules of war, the promised spoils of Mars. In those few minutes of sweltering madness, he had lost his humanity forever.

And just as quickly as it had begun, it had ended. Exhausted after the frenzy, he had stayed to survey the chaos. Bodies littered the floor indecently. Arms and legs in unnatural positions. Bits of flesh, bone and brain flecked the ground. The pools of blood had begun to congeal and attract columns of red ants with their sick-sweet smell. They traipsed through ear holes and gaping mouths and out through nostrils in ordered regiments. Just like soldiers. In minutes the ground was covered with them, a shimmering carpet of chestnut red. On their backs they carried bits of offal; to his disgust he saw what he fancied was a bloody eyeball, followed in surreal sequence by its’ twin; as if they couldn’t bear to be apart. 

Thoroughly sickened, he turned back to the jungle when he heard a deep, unearthly growl. Behind him stood a great black dog shivering with rage. Its’ flanks were ripped to shreds, he saw a madness in its eyes and the tell-tale froth of dementia about its’ muzzle. The animal snapped and bared its teeth, the whites of its eyes rolled, stalking him. Now it was the predator, and he the prey. In the eyes of this mad mongrel he saw his own brief insanity reflected like a terrible mirror. The rabid dog he had been, the blood-hound. The dog froze, then launched itself at him. A single bullet caught it in mid-air blasting its jaw clean off, but not before it let out a desperate, heart-breaking yelp. Near the stiff body of the animal lay the pail of water that had once belonged to the woman with the baby. In it he caught his own reflection. His face was caked with dust, his mouth spattered with blood. Just like the dogs.

But that dog didn’t die, it followed him. It stalked him on the boat home, it turned up in his dreams. It was present when he married his school sweetheart; it was there when he received his medal of honour. He saw it in mirrors, glass windows, reflections, always behind him, always waiting. It lurked in alleyways, in the shadows across the street. He would see it briefly in the rear-view mirror as he backed out the driveway. Always waiting, always grinning with that little corpse in its’ terrible maw.

Battle stress. His had come on slowly, and he had tried to hide it by practising bland expressions in the mirror. No one could know his shame. He hid his dark secret behind a mask, but one day that mask cracked and his secret seeped out in the form of madness. The nightmares grew more vivid, he screamed and cursed in his sleep. Then one morning his wife caught him talking to his reflection. Obscene things issued from his mouth, things learned in the army. Another time neighbours witnessed him hammering the shed door shut, threatening to ‘set the goddamn thing on fire and watch it burn to hell.’ Then there was the incident with his daughter that finally tipped the scales. One night he heard a scraping noise from her room, and when he went to look found the dog on the bed with her torn to pieces. It was then they took him away.

At the asylum they tried everything; cocktails of drugs, counselling, group therapy. But when that didn’t work there came the ‘shock shop’, and eventually, lobotomy. It was not the war, not the horror, nor his night terrors that petrified him; but the asylum. There they took away all his mirrors, all his defences. He could no longer look at the reflection of life. They had taken him to the gorgon itself – and she had turned him to stone.

“Alright I’m back. You have a pretty little rainbow of pills today.”
“…….”
“Let’s turn you the right way round shall we?” Strong, slim hands pulled him back on his back. His skin was cold to the touch.
“Let’s cover you up. You’re freezing.”
“……”
“Now, let’s start with the blue one.”
“…….”
“Swallow now.”
“…….”
“Now, it’s no time to be playing games, you must take these.” The nurse peered down into his face with a mixture of pity and concern.
“What’s the matter?” She passed her hand over his face. Nothing moved. His eyes stared through her.

The nurse felt his arms and hands; they were stone cold. She reached into her pocket and drew out a small mirror. She held it to his mouth. Nothing. She put down her tray of pills and slowly drew the white sheet over his face.

As she turned to leave for the doctor she thought she saw what looked like a dark shadow slink out the door. It looked like a dog.  

——————————-

NOTES: If you are wondering what ‘Magpie Tales’ is, then I suggest you wander off to visit the website. Every few weeks an image is posted, where people can write a story or poem around it. This weeks image is of a mirror. It’s my first time participating in the ‘Magpie Tales’ after finding out about it from Mark over at ‘Absorbed In Words’. He did a fabulous short story entitled ‘Stella’ that inspired me to write one of my own. He’s a great writer, so I highly recommend you go and check it out.

The following story took me two days to draft and write. It wasn’t going to be so long, but one thing led to another and I came up with this. I hope you enjoy it as I had a lot of fun writing it.

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Unauthorised Absences & The Writer’s Bug

20 Wednesday Oct 2010

Posted by mywordlyobsessions in From Life..., General, Writing

≈ 14 Comments

Tags

Haruki Murakami, margaret atwood, Nabokov, writers block, writing


Conquering the blank page is often the hardest task of an aspiring writer…

That’s the way they used to write it in the school register: ‘Unauthorised Absence’. A capital ‘U’ in the margin. That was the shameful mark of a ‘skivver’, a player of ‘hookey’, the class rebel, the tell-tale sign of one who smoked surreptitiously at the back of the bike-sheds. Not that I ever skipped school. Perish the thought! I was a good girl, a model student, teacher’s pet. Really. Honest. Ok, well not quite…

But I’ve been a bit naughty lately, in that I haven’t posted for a while. As you’ll have noticed. To quote Jack Jordon from ’21 Grams’, “The guilt, the guilt will suck you down to the bone”, and that’s exactly how I felt when I realised my transgression. It was only at a friends house last week (when we all got to talking about our respective blogs) that brought on the bone-sucking guilt. So here I am apologising for my unproductive, unforeseen disappearance act. Sharing our blogging experiences made me think about this place and what it really meant to me. It feels like I’ve had it forever, but it’s only been four months since I started blogging here, yet I’ve grown rather fond of it. Before I became a wordpresser (if there is such a word) I had a place on windows live spaces with very little readership. While it was an ideal place to cut my teeth, it didn’t have nearly enough tools that WordPress.com has to offer its bloggers.

However, unlike here, I was blogging more often yet the lack of readers made it feel like I was talking to myself half the time. The final move to a better platform came when Microsoft did away with its mediocre stats page (without warning I might add). Major mistake. As the final straw, I did a toss-up between the book bloggers favourite (blogspot) and it’s more intellectual adversary (wordpress). Now that I’m comfortably settled here and have regular readers, things have become more serious. Suddenly there’s a pressure to produce, to write articles of quality that will generate discussions, questions and hopefully inspire other bloggers too. There is a feeling of responsibility, and that brings with it a learning curve that helps to hone my writing skills and develop an eye for what is a good subject for a blog and what isn’t.

But I digress…While blogging is a whole other kettle of fish among the myriad forms of internet writing, I have been engaged with a totally different, more traditional method which brings me to the reason for my absence: I have begun a novel.

Yes, the writing bug now has me well and truly in its thrall; in a way that I have been praying and praying it eventually would. In the past the muses have not been kind to me and I have learnt that youth is often a disadvantage when it comes to the art of the novel. Coherence, plausibility, experience and of course the all important catalogue of ‘read’ books all go contribute to some aspect of becoming a well-rounded novelist.

As a life-long reader there were times that I’d find myself going through books with a kind of envious longing. As I pass by bookshops I dared to imagine my book, with my name on it filling the shelves. But the daydream would dissolve when I thought of authors like Atwood and Murakami, about how theirs is an inspired genius, a talent that is born not learned. My muses would tell me this, but then they’d also tell me about how half of a writer’s art is his craft, and how at least THAT could be learned through hard work.  

Sometimes a beautiful passage would make me wonder ‘why can’t I write something like this?’ To make matters worse, my family have often said the same thing too, ‘you have imagination, you like books, why don’t you try writing one?’ Or, ‘you read so much, can’t you think up a story?’ But by far the worst is ‘it can’t be that difficult!’ Albeit, its said with all the goodwill in the world, but it’s still irritating. It takes all I’ve got not to turn around and snarl back ‘but it IS that difficult! Can’t you see?’ Writing out of all art forms is the most difficult to understand. In it’s unworked state, without the guidance of an intuitive mentor it is an unruly force that behaves in vastly different ways in different people. 

I think we can agree that some people are naturally gifted. They can just ‘write’ it all out in a coherent manner and be done with it. But for the rest of us, it takes a lot of hard work. Using myself as an example, I can say that for the longest time I carried the ‘idea’ of my novel with me wherever I went. Fully formed as it was, it was my lack of writing skills that stopped me from getting it down on paper the way I wanted it, or more importantly, the way it deserved to be written. After a few unsuccessful, messy attempts, I let it sit at the back of my mind and took the radical decision to allow myself the time to get to know my craft.

After a few years of reading intensively and studying the works of prominent authors, I began to understand that writing is much, much more than merely putting words on paper. It is a way of thinking, a method of Cartesian logic that needs to be re-learned, even though it is, by origin, innate. I set about listening to audiotapes of authors talking about their craft and making notes about how they felt, the difficulties they faced while they set about creating in this loneliest of crafts. The trials and tribulations of each differed, yet the main bugbear of ‘writer’s block’ and performance anxiety (especially after a particularly successful book) were among those that struck a chord with me.  

I began to see many mutual points of suffering between me and authors like Saul Bellow, Katherine Mansfield and Vladimir Nabokov. I was relieved (if relief is such a word) that getting stuck, beating yourself up over a few sentences and the general worry and stress of writing is something that carries on throughout an author’s life and can even be the fuel that drives them to reach their potential best. It was then I decided to make peace with my anxiety, and funnily enough, only then did my story finally come forward and yield itself to me.

It’s been three months now, and my research has gathered a momentum and a logic that is slowly helping me unravel the knots in my narrative. Unlike last time, I’m not in a hurry to get things down as quickly as possible. I take the time to reflect and think calmly on what I have to say and how I want to say it. Needless to say, every now and then the writing bug will take me away from the blog, but it’s all for a good cause.  So there. I’m not playing hookey. When you don’t see any posts for a week or so, it means I’m working hard in finding the meaning of ‘writing’. I’ll be recording my journey as I go along, and if my findings are blogworthy I’ll be sharing them here along with you and my other bookish things.

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10 Things You Should Know About Oscar Wilde

16 Saturday Oct 2010

Posted by mywordlyobsessions in Authors, Writing

≈ 8 Comments

Tags

oscar wilde


 Oscar Wilde –
photograph taken in 1882 by Napoleon Sarony

1. His  full name is Oscar Fingal O’Flahertie Wills Wilde and he was born in Dublin, Ireland in 1854.

2. His mother, Jane Francesca Elgee, was a celebrated writer who went by the pen-name of ‘Speranza’. She is said to have mastered 12 languages and frequently translated many works into English from Italian, French, German, Russian, Turkish and Spanish.

3. His father, William Robert Wills Wilde, was a physician who specialised as an ear-eye surgeon. He fathered at least 3 illegitimate children before he married Jane Francesca Elgee.

4. The Wilde’s often dined with other famous writers and poets such as John Butler Yeats and George Henry Moore.

5. Oscar Wilde had photographic memory. While studying at Magdalen College in Oxford, he was famous for his ability to recall long passages of writing.

6. His only published novel is ‘The Picture of Dorian Gray’. All his other works are either plays, poems or short children’s stories.

7. His most controversial play is ‘Salome’, which was refused permission to be staged because of biblical content. Acclaimed actress Sarah Bernhardt would have played the lead role.

8. He was accused of, tried and sent to prison to Holloway for two years on account of sodomy and gross indecency.

9. ‘De Profundis’ was written while in prison and recounts his thoughts and feelings on his incarceration. It was partially published in 1905, then fully in 1962 in ‘The Letters of Oscar Wilde’. You can read ‘De Profundis’ it in it’s entirety here.

10. Wilde died of cerebral meningitis on 30th November 1900 in Paris. Reginald Turner, close friend and fellow writer was with him when he passed away.  He is buried at Pere Lachaise Cemetery and his tomb was designed and built by Sir Jacob Epstein in the form of a stylised angel.

 ____________________________

There we are. Ten facts about Wilde that you may or may not have known about. His was a very interesting life and makes for a brilliant read. If you are interested in finding out out more about this great author, then I suggest Barbara Belfords ‘Oscar Wilde: A Certain Genius’.

Belford specialises in Victorian literary figures and has also written biographies of Violet Hunt and Bram Stoker. I highly recommend her work.

Click here to read ‘The Picture of Dorian Gray’ online.

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